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Home FEATURES Gregory Euclide

Gregory Euclide
Written by Trippe   
Wednesday, 31 May 2006 07:00
Teacher/ Painter/ Minneapolis liver We first saw Gregory's work at Receiver summer 2005 and was blown away. The images below do not do this work justice. It must be seen in person. So when we heard that he's going to be part of a group show at White Walls on June 9th, we thought it would be a good idea for an introduction and see what makes this Minneapolis based artist/ teacher tick... If you live in LA be on the look for his 2007 show at BLK/MRKT

age? Location? favorite caffeinated beverage?
32 years. Minneapolis. coffee.

So you are part of a group show at White Walls that opens June 9th. Tell me about the show.
The fine people at White Walls asked me to have a show after I had showed them some work. I was in town for an show/opening I was having at the Receiver Gallery. I asked them for some good galleries to go see, and they suggested I go see Shooting Gallery, Low, and White Walls. So, I did and I was pretty impressed. It didn't hurt that the day we stopped in to White Walls there was this 12 hour paint-a-thon going on. It made it feel really alive, and the work was great.

Where did you grow up?
I grew up in a small town that you might find under a christmas tree just north of Milwaukee. Stage coaches and covered bridges. Great place to grow up.... I wandered fields and made forts in the woods. It was all public land.. Farm Fields, Gravel Pits, and City Dumps... SF has eucalyptus growing wild. So I came.

Schooling?
Right now I am enrolled in the graduate program at the Minneapolis College of Art and Design. Mostly though, it is just a lot of looking around, and a lot of doing work on my own.

Daily routine?
nothing too exciting. wake up, make coffee, check mail, garden, listen to music... and so on.

Tell us the process you go through when creating one of your pieces.
Someone once yelled out to Neil Young in a concert "Hey Neil, It all sounds the same" and Neil yelled back "That's because it is all the same song." I always liked that. I don't change what the work is about from week to week. It has always been about the same thing: Experiencing the space around us. As far as starting the work, I always start very abstractly, making general outlines for spaces. Then, it becomes a matter of building up the surface and defining certain areas of growth and decay. The whole process usually happens in one or two days.

Favorite clothing setup?
I get laughed at quite a bit.. because rebecca will come home and find me painting with nothing on or with some mix of something tied around my waist and pants pulled up above my knees... She says it's like little kids who get so wrapped up in what they are doing that forget they are waring clothes... I agree.. I kind of hate clothes...

Mode of transportation?
This city is not condensed like SF or Manhattan so you can't do it by foot and there is no subway, But there is a great Greenway that we take our bikes on all the time.

Living off your work?
Kind of.. I work on stuff while I teach sometimes. Things are constantly moving forward. I am finally starting to have the shows I organized a year ago.

Ever been on a blind date?
no, I was always kind of shy.

What are you trying to capture with your work? When are you statisfied with a work? How do you work?
I am satisfied when I can sit there and watch it, like one would watch the ocean or a river. Music is very important to the work. I have to start off with something that is going to get things moving (Pedro, I'm Not a Gun, Four Tet) . Because I work for 8 or so hours straight on a work, it is important to match the energy levels with appropriate music. I might start off with a City Center Office and finish with a Kranky or 12K. The music often drives the work to a certain place. I like music more than visual art... possibly because I could never really play piano, or because it is just more flowing. I try to capture the feeling I get while listening to a certain work... Or... the feeling I get when walking through a forrest... it is the same feeling.. and it comes out in the work as a flowing mess of tiny scenes and diagrams. The first two to three hours of working on a painting are pretty fun. It is like a dance.... and everything is unfolding before me on this sheet of paper.. and that is why it gets done again... because that experience of making the landscapes in the image of music and thinking about the history of the space and putting that together with the present ..... nice.

Is it weird for you to be teaching or have you gotten used to it already?
I have been teaching for 9 years.. so it is kind of old hat.. the biggest frustration is that I keep my room like a studio.. and imagine if you had 28 students each hour coming through.. making a mess and leaving it.. It really takes it out of me at the end of the day...

Are you the type of teacher you wanted when you were in school?
Yeah, I suppose.. I had a great high school teacher.. he let me go... I had a corner of the room all to myself.. so that is what I do for my students.. I teach Advanced Placement Studio Art and each student gets his/her own studio within the room.. It looks more like a collage set up than a high school. My theory is to lead by example: Let them be inspired by my actions and my enthusiasm.

What's the art scene in Milwaukee like? I'm sure it's a great place or else you wouldn't have stayed. Did you ever consider moving to NYC, LA, or SF? What kept you there?
Well, I live in Minneapolis, MN.. I grew up in Milwaukee. Milwaukee has a great gallery called Hotcakes that I did a show at a while back, but I don't know much else about Milwaukee's art scene... Moving? ... I never have the nerve to move.... I kind of let life happen to me.. sad, but true. That is my dad's fault.. He drilled practicality into me. I have never been able to shake it. I always make a nest and move out in circles from there... never making jumps. NY, SF, LA... all seem really great and I love visiting, but something keeps me here. I suppose it's small enough to get my mind around.. but all that is changing... so, who knows... five years out.. I may be your neighbor.

You live in the beer capital in the world. Are you drunk now? Ever visit the Pabst Mansion?
Never visited the mansion.. only attended the plays at the theatre. I was just upstairs arranging my studio.... and...... I was having a party coke... Wisconsin was a great place to grow up.. My dad gave me a taste of Red White and Blue when I was like 8. That's probably why I never drank again until I was 22. Now it's all party cokes.


Detail

Name some current artists you're excited about right now.
I have a hard time getting really excited about artists.. Muisc, now that is a different story...I could give you lists and lists. As far as visual artists, I admire sara sze.

Anything you want to add?
I'm Kicking off a new series of works on my website. Each week I will be making a 5 inch x 7 inch work. You will be able to purchase a giclee print of the work for $30. One can sign up for all 6 for $150 saving $30. That is 6 giclee prints in six weeks for $150. The Image will be posted on Monday of each week and there will only be a run of 50. These are going to be really fun to do.. I get a lot of requests for prints... people who are young or people without wall space.. these will work perfectly. I'm still working out details... but I will be on my website in a day or two... www.gregoryeuclide.com

Future?
I have a show at OKOK in Seattle and a show at BLK/MRKT in LA coming up. I also have Grad School to start and of course teaching the youth of MPLS. I am looking forward to making more work and finding new locations to show it. I'm really looking forward to being in SF again.

{moscomment}

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contact FF

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//////////
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"Arrangement" by Michelle Fleck
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Arrangement measures 24"x30", acrylic and aerosol on panel - inquires: info(at)ffdg.net

Michelle Fleck is a painter living in San Francisco. Her work focuses on the relationship between man and the landscape, and the marks we leave on it. Influenced by everyday life in the city, her paintings serve as snapshots of an ongoing intersection of the natural and man-made world. She strives to make work that has a sense of relevancy in a culture driven by a need for change and newness.

 

///
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FULL CALENDARS: BAY AREA | NYC | LA

 


 

 

 

AJ Fosik in Tokyo at The Hellion Gallery

Matt Wagner recently emailed over some photos from The Hellion Gallery in Tokyo, who recently put together a show with AJ Fosik (Portland) called Beast From a Foreign Land. The gallery gave twelve of Fosik's sculptures to twelve Japanese artists (including Hiro Kurata who is currently showing in our group show Salt the Skies) to paint, burn, or build upon.


Ferris Plock - Online Show, April 25th

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GOLD BLOOD, MAGIC WEIRDOS

Backwoods Gallery in Melbourne played host to a huge group exhibition a couple of weeks back, with "Gold Blood, Magic Weirdos" Curated by Melbourne artist Sean Morris. Gold Blood brought together 25 talented painters, illustrators and comic artists from Australia, the US, Singapore, England, France and Spain - and marked the end of the Magic Weirdos trilogy, following shows in Perth in 2012 and London in 2013.


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San Francisco based Fecal Pal Jeremy Fish opened his latest solo show Hunting Trophies at LA's Mark Moore Gallery last week to massive crowds and cabin walls lined with imagery pertaining to modern conquest and obsession.


John Felix Arnold III on the Road to NYC

Well, John Felix Arnold III is at it again. This time, he and Carolyn LeBourgios packed an entire show into the back of a Prius and drove across the country to install it at Superchief Gallery in NYC. I met with him last week as he told me about the trip over delicious burritos at Taqueria Cancun (which is right across the street from FFDG and serves what I think is the best burrito in the city) as the self proclaimed "Only overweight artist in the game" spilled all the details.


FRENCH in Melbourne

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Henry Gunderson at Ever Gold, SF

Ever Gold opened a new solo show by NYC based Henry Gunderson a couple Saturday nights ago and it was literally packed. So packed I couldn't actually see most of the art - but a big crowd doesn't seem like a problem. I got a good laugh at what I would call the 'cock climbing wall' as it was one of the few pieces I could see over the crowd. I haven't gotten a chance to go back and check it all out again, but I'm definitely going to as the paintings that I could get a peek at were really high quality and intruiguing. You should do the same.


Mario Wagner @Hashimoto

Mario Wagner (Berkeley) opened his new solo show A Glow that Transfers Creativity last Saturday night at Hashimoto Contemporary in San Francisco.


Serge Gay Jr. @Spoke Art

The paintings in the show are each influenced by a musician, ranging from Freddy Mercury, to Madonna, to A Tribe Called Quest and they are so stylistically consistent with each musician's persona that they read as a cohesive body of work with incredible variation. If you told me they were each painted by a different person, I would not hesitate to believe you and it's really great to see a solo show with so much variety. The show is fun, poppy, very well done, and absolutely worth a look and maybe even a listen.


NYCHOS Mural on Ashbury and Haight

NYCHOS completed this great new mural on the corner of Haight and Ashbury in San Francisco on Tuesday. Looks Amazing.


Sun Milk in Vienna

With rising rent in SF and knowing mostly other young artists without capitol, I desired a way to live rent free, have a space to do my craft, and get to see more of the world. Inspired by the many historical artists who have longed similar longings I discovered the beauty of artist residencies. Lilo runs Adhoc Collective in Vienna which not only has a fully equipped artists creative studio, but an indoor halfpipe, and private artist quarters. It was like a modern day castle or skate cathedral. It exists in almost a utopic state, totally free to those that apply and come with a real passion for both art and skateboarding


"How To Lose Yourself Completely" by Bryan Schnelle

I just wanted to share with you a piece I recently finished which took me 4 years to complete. Titled "How To Lose Yourself Completely (The September Issue)", it consists of a copy of the September 2007 issue of Vogue magazine (the issue they made the documentary about) with all faces masked with a sharpie, and everything else entirely whited out. 840 pages of fun. -Bryan Schnelle


Tyler Bewley ~ Recent Works

Some great work from San Francisco based Tyler Bewley.


Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery

While walking our way across San Francisco on Saturday we swung through the opening receptions for Kirk Maxson and Alexis Mackenzie at Eleanor Harwood Gallery in the Mission.


Jeremy Fish Solo Show in Los Angeles

Jeremy Fish opens Hunting Trophies tonight, Saturday April 5th, at the Los Angeles based Mark Moore Gallery. The show features new work from Fish inside the "hunting lodge" where viewers climb inside the head of the hunter and explore the history of all the animals he's killed.


The Albatross and the Shipping Container

Beautiful piece entitled "The Albatross and the Shipping Container", Ink on Paper, Mounted to Panel, 47" Diameter, by San Francisco based Martin Machado now on display at FFDG. Stop in Saturday (1-6pm) to view the group show "Salt the Skies" now running through April 19th. 2277 Mission St. at 19th.


The Marsh Barge - Traveling the Mississippi River from Minnesota to the Gulf of Mexico

For some reason I thought it would be a good idea to quit my job, move out of my house, leave everything and travel again. So on August 21, 2013 I pushed a canoe packed full of gear into the headwaters of the Mississippi River in Lake Itasca, Minnesota, along with four of my best friends. Exactly 100 days later, I arrived at a marina near the Gulf of Mexico in a sailboat.


Flavio Samelo's Downtown Sao Paulo Murals

Our buddy Flavio Samelo down there in Brazil does all kinds of great work including this recent mural project in downtown Sao Paulo in front of one of the most important modern buildings of Oscar Niemeyer from the 60's, THE COPAN.


John Trippe, FFDG and Fecalface.com Founder, Stepping Down From Daily Operations

John Trippe, founder, owner and curator of FecalFace.com and the Mission District art gallery FFDG, announced today that he will stepping down from daily operations of the two ventures to seek new career opportunities.


High 5s - Get Your Feet Wet

I purchased one of the first digital cameras when Fecal Face went online in 2000. It was a massive Kodak with 2 mega pixels


"Touching Base" by Schuyler Beecroft

San Francisco based Schuyler Beecroft emailed over the great new series of paintings he's completed entitled "Touching Base", 16x20in on mounted wood panel. Like them.


Flume - Space Cadet (ft. Ghostface Killah & Autre Ne Veut)

Buddies Jay Howell & Jim Dirschberger did this great video produced by Forest City Rockers.


Fire Shelter for Papay Gyro Nights 2014

Last year we posted photos from another one of Simon Hjermind Jensen's Fire Shelters he's made in Copenhagen. This time around the Copenhagen based artist/ designer created one for the Papay Gyro Nights 2014 way up in on the Orkney Islands in Northern Scotland.


"Portrait of a Slugger 19" by Hiro Kurata

Beautiful painting by NYC based Hiro Kurata now on display at SF's FFDG through April 19th as part of the group show "Salt the Skies".


"Veins of Octulen" by Curiot at FFDG

"Salt the Skies" opened on the 21st at FFDG and features this great piece by Mexico City based Curiot (Favio Martinez) whose sold out 2013 show Age of Omuktlans ran at FFDG. His forthcoming solo show is slated for March 2015.


Rome's Alice Pasquini ~Mural+

Rome based multimedia artist Alice Pasquini emailed over a recent mural completed in the historic working class neighborhood of Rome called Tufello.


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